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THE KENEALLIST: Out-Of-Print You Must Be This Tall Returns This Bandcamp Friday!

The Keneallist!

Heya, fellow humans! How’s it going? I aim love at you!

THE KENEALLIST: Out-Of-Print You Must Be This Tall Returns This Bandcamp Friday!

Links to You Must Be This Tall go live at 11:59 p.m. PST Thursday night, February 29!

You Must Be This Tall from 2013 is probably one of the less-discussed titles in my album catalogue, but I think it’s really nifty.

I’ve been thinking more about this album since the BFD gigs at the Baked Potato a few weeks ago, during which the song “Cornbread Crumb” was featured pretty heavily (as it will be again at our upcoming gigs at Alvas). The album is an eclectic collection of mostly instrumental material (although there are four vocal tracks, including “The Rider” which is one of my most classic-rock-type tunes), largely played by me, and I think it makes for a very involving listen.

The CD has been out of print for a while, so when Scott Chatfield proposed it as the newest addition to our Bandcamp roster for this week’s Bandcamp Friday, I metaphorically leapt to my feet, and literally said “yes!” with great enthusiasm.

Fortifying this Bandcamp release is the addition of three bonus tracks: “Pitch Pipe (Vocal Version)” (which is completely bonkers), “The Upkeep of My Volcano” (a radical reinvention of the song “Kidzapunk”), and “Popes Instrumental Mix” (which is just groovy as heck). Plus some additional artwork and promo ephemera which come to you alongside the complete original artwork in digital format. It’s a neat package of neat stuff.

Just in case you never got this album when it first came out, this might be a nice opportunity for you to invite it into your life. And even if you do have it already, perhaps the bonus enticements will, er, entice you.

It premieres on our Bandcamp page THIS FRIDAY, March 1, aka Bandcamp Friday. Yes! (And as yet another enticement, the artists get every cent o’ the dough you spend on Bandcamp Friday!)

NEW KENEALLY/RADULOVICH COLLABORATION: it’s called TUESDAY

NEW KENEALLY/RADULOVICH COLLABORATION: it’s called TUESDAY

Marcelo Radulovich and I released two albums last year, called Monday and Bask – now comes the sequel to the first one, the all-instrumental Tuesday (do you sense the beginning of a trend?).

This ongoing series of albums can be viewed as an episodic examination of Marcelo’s and my friendship and musical collaboration, which has gone on for decades now. Or can just be viewed as a bunch of really unusual and hopefully interesting music.

Tuesday has got a lot more of me on guitar than Monday did, but it’s a minimalistic approach compared to my usual playing, and almost cinematic at times in its vibe. Marcelo’s arrangements, production choices and multi-instrumental contributions remain as vibrant and unique as ever.

Please investigate Tuesday, which premieres on Bandcamp Friday, along with our other two collaborations and Marcelo’s many other stellar projects here.

GIGS A-COMIN’:
BFD at ALVAS, and ONE SHOT DEAL at THE GRAPE and CAMPUS JAX

BFD at ALVAS

Gonna sneak in a few gigs in March –

Mike Keneally & Beer For Dolphins (me, Rick Musallam, Pete Griffin and Joe Travers) will be appearing at Alvas in San Pedro on March 29 and 30, 8pm each night. These gigs are going to be absurd, I can tell already. You should be there.

Alvas is at 1417 W. 8th Street, San Pedro, California 90732. I love it there and I love this band.

If you go to this page and scroll downward, ticket links to both Alvas gigs await you.

ONE SHOT DEAL at THE GRAPE

And I will twice again be guesting with Joe Travers’ scintillating Zappa band, One Shot Deal…
first at The Grape in Ventura on March 9 (link here, click the purple button that says “8:00 PM show”)…

ONE SHOT DEAL at CAMPUS JAX

…and second at Campus Jax in Newport Beach on March 15. New room for me, I’m very into it. Tickets very, very easily located here.

DEVIN TOWNSEND PODCAST EPISODE #5: MIKE KENEALLY

‘twas nothing but a delight to appear recently on Devin’s podcast – if it pleases you, you can watch it on YouTube right here.

Now I’m gonna leave you to it! More later! ‘Bye!

Love,

Mike!
MK & BFD - LIVE AT LYNAGH’S - LEXINGTON, KY   MAY 18, 2001

Links to You Must Be This Tall go live at 11:59 p.m. PST Thursday night, February 29!

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THE KENEALLIST: This Bandcamp Friday, it’s Tar Tapes Vol. 1!

The Keneallist!

Greetings of the incipient holiday season to you and yours! All of us over here wish you all the best.

Now, here’s an MK rarity for Bandcamp Friday…

The Tar Taoes Vol.1

As alluded to in last month’s Keneallist, the recent sale of Bandcamp to Mephistopholean Industries, Inc. (hereinafter referred to as MII) has had some unhoped-for ramifications, but hey it’s 2023 and what are you gonna do?! We’re gonna keep on adding to our roster of recordings there, and MII has (for the time being at least) pledged to keep Bandcamp Friday going.

It would seem that there is now more incentive than ever to take advantage of Bandcamp Friday (the one day a month where 100% of all revenue generated at Bandcamp goes only to the artists and labels, and not to the overlords)!

This month our new Bandcamp entry is THE TAR TAPES VOL. 1. This was originally an extremely limited-edition CD, released in the late ‘90s, compiling some of the best tracks from the Tar Tapes cassette releases I put out with my brother Marty Keneally throughout the 1980s. Mostly home recordings, but also containing live and studio recordings done with our band Drop Control. Definitely young and innocent days.

The songs I selected for VOL.1 (and the later VOL. 2) are the cream of the crop of the original cassette releases. On VOL. 1, you’ll find original versions of some tracks which later became live favorites throughout my whole career (like “Killer Fish,” “Tug” and “Performing Miracles”), but mostly you’ll hear songs which never got re-recorded or introduced into the live repertoire later on.

It all makes for an interesting listen – if you haven’t checked it out before, you might like to now. Thanks!

Over-nite Sensation was released half a century ago!

Last week I was chuffed to join several friends at Hollywood’s Dolby Theatre to celebrate the 50th anniversary of Frank Zappa’s endearingly enduring Over-nite Sensation album. Dolby Atmos engineers Karma Auger and Erich Gobels,along with Vaultmeister Joe Travers, were there to describe how they fashioned another multi-channel masterpiece with their brand-new surround mix of the album, taking their cues from Frank’s own quadraphonic mix.

Snapped hanging in the lobby (above) after this stunning aural presentation were (l. to r.) my essential Exowax partner Scott Chatfield, indispensable engineer Mike Harris, crucial guitarist and longtime cohort Rick Musallam, the vitally important Ahmet Zappa, and the arguably fundamental me.

Chris Opperman’s got a brand new album

Chris Opperman and I have been dear friends and collaborators since way back in the the 20th century – you might remember Chris doing the work of an entire horn section on my Dancing album.  He’s a successful composer of wildly original music, a top orchestrator/arranger, a visionary educator, and a trusted music industry advisor (he’s been a great asset to my career).

This Friday, Chris is releasing Still Waters, a superb collection of solo piano recordings to warm you up as it simultaneously chills you out on a cold winter’s night. Still Waters features music written by Chris and other excellent composers including Pulitzer Prize winner Ellen Taaffe Zwilich, Ann Southam, Philllip Schroeder, Kimberly Osberg, and Tyler Kline.

You can listen and buy at his Bandcamp page (he also gets all the dough on Bandcamp Friday!), or pick up a CD copy at his website.

So, just to wrap up a couple of things:

The final four ProgJect California shows, and the three One Shot Deal shows in LA last week, were all an amazing time for me. The audience response was so gratifying, the music was completely satisfying, and every one of the musicians was inspiring and fantastic. What good fortune I’ve been granted to be able to take part in these kind of shows, both with, and for, such wonderful people.

The upcoming Devin Townsend shows in Australia will be similarly moving for me, I know. These shows will mark the end of this year’s Devin touring cycle, with this particular quartet, a band I’ve really come to love. I’ve logged a lot of hours on the road with them in 2023, and Devin is about to enter a lengthy period of no touring, covering all of 2024 and possibly 2025 as well – and once he decides it’s time to tour again, it could easily be with an entirely different ensemble.

So just in case this Australian run is the last roundup for this particular bunch of guys, I’m going to treasure every second of it.

All the best to you, good people! Talk again soon.

Love,

Mike!
Sluggo!
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THE KENEALLIST: Next up this Bandcamp Friday – Sluggo!

The Keneallist!

“Happy Bandcamp Friday yet again, yet again! Happy Bandcamp Friday yet again!”

(I still remember that old singalong tune from sixth grade camp, which was, strangely enough, many decades before Bandcamp existed.)

This beautiful world is not a fantasy!! For THIS is the month we finally add Sluggo! to the roster of titles on our rapidly swelling Bandcamp page!

Sluggo!

This is the 2013 remix of Sluggo!, superbly executed by Mike Harris, and is fortified by two vitamin-packed bonus tracks from the Sluggo! era, “Bob Dylan’s Nose” and “Craney.”

Is it my best ever album? Probably maybe!

(For a completely outlandishly Slugtastic listening/viewing experience, I mustn’t neglect to mention that the physical four-disc Sluggo! 2-CD/1 DVD-A/1 DVD-V special edition set is still available here, in case it doesn’t live in your home yet.)

As a reminder, Bandcamp Friday is the day that Bandcamp surrenders every drop of its dollar percentage to the artists on the service.

It is a remarkable show of support for musicians, and I’m grateful that they’ve been doing this – thank you so much, Bandcamp – and we hope that it is able to continue the practice into the next year, even after its recent sale to Mephistopholean Industries, Inc.

LIVE DATES!

ProgJect

Four shows remain on this ProgJect tour I’m currently on, which has been so much damn fun I can’t even tell you. It means a lot to be able to play this amazing music with these guys for crazy prog fans across the US. Next year we’ll be spanning more of the globe – more news on that will come to you as it’s finalized.

The remaining ProgJect shows for this month are all in California, and they are here:

The Grand Ritz in Escondido – Friday Oct 6. Come celebrate Bandcamp Friday with us!

The Mint in Los Angeles – Saturday Oct 7. I used to play the Mint frequently in the late ‘90s with BFD and I’m excited to return.

The Lafayette Town Hall Theatre – Sunday Oct 8. This is our San Francisco-area gig, in a room I’ve never been in before, and I’m very intrigued to play there.

And the final gig of the tour at The Grape in Ventura – Monday Oct 9. Lots of my friends have played this room but this will be my first time there and I’m eager to see what the hubbub’s about, bub.

One Shot Deal

I’m doing three nights at the Baked Potato with Joe Travers’ One Shot Deal band in late October, playing the ever-glistening music of Frank Zappa, and featuring the dulcet magnificence of Pete Griffin! Jamie Kime! Billy Hulting! Scheila Gonzalez! Ben Thomas! These people aren’t screwing around.

I’m playing on the complete sets, every song. Three nights, two sets a night:

Wednesday Oct. 25, 8pm and 10pm

Thursday Oct. 26, 8pm and 10pm

Friday Oct. 27, 8pm and 10pm

Devin Townsend

My final gigs of this year (I INSIST ON SPENDING THE LAST MONTH AND A HALF OF 2023 SITTING UNMOVABLY IN ONE LOCATION AT HOME) will be with Devin Townsend in Australia in November.

These dates mark the end of this year’s Lightwork tour cycle with Dev. It’s been completely fantastic – the Feb/March Europe and UK dates, the summer North America dates with Dream Theater and Animals As Leaders, the one-off ArcTanGent Festival in August – it’s all been so dang fun and wonderful.

There won’t be any Devin touring for quite some time after these November dates, and who’s to say if I’ll even be in the band next time he decides to do it (by which I only mean that I respect and support Devin’s choice to head in whatever direction he wants to at any time…I am grateful to report, though, that I’ll be going to his studio early next year to contribute musically, in whatever way I can, to his upcoming 2025 orchestral/theatrical extravaganza – about which, much, much more later).

All of this is to say that I’ll really be relishing these upcoming dates in Australia with Devin, Darby and James, and if you’re in the neighborhood it would be amazing if you could come by:

Fremantle, Nov. 8

Melbourne, Nov. 10

Sydney, Nov. 11 (which is apparently sold out, but you just never know with concert tickets these days – for all I know three rows of seats might become available on show day or something so just to be on the safe side):

Brisbane, Nov. 12

MONDAY by KENEALLY/RADULOVICH NOW WIDELY STREAMING

Monday

The new collab between me and Marcelo Radulovich, Monday, can now also be found at these links:

Amazon

Apple Music

Spotify

And on Marcelo’s Titicacaman website

Get ready for our upcoming second album, coming sooner than makes any sense.

SO…

I’ve done more touring this year than I’ve done in a very, very long time, and it’s definitely been something. I’m feeling every mile I’ve traveled for sure, but mainly I’m feeling grateful and fired up and ready to keep doing this for a long long time.

Next year will see a lot more live ProgJect, and I want to do as much live Beer For Dolphins as is possible, as well as aiming towards the live debut of The Bird Brain. I hope to see you out there, somewhere, sometime soon!

Love,

Mike!
Sluggo!
Exowax Recordings
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